Utopia and Irony in Ursula Le Guin’s ‘The Ones Who Walk Away from Omelas’ and Rodolfo Martínez’s El abismo te devuelve la mirada

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dc.contributor.authorThiess, Derek
dc.date.accessioned2024-02-03T16:35:59Z
dc.date.available2024-02-03T16:35:59Z
dc.date.issued2010-Fall
dc.format.extent67-79
dc.identifier.citationThiess, Derek J. “Utopia and Irony in Ursula Le Guin’s ‘The Ones Who Walk Away from Omelas’ and Rodolfo Martínez’s El abismo te devuelve la mirada.” Topics: The Washington & Jefferson College Review 56 (Fall 2010): 67-79.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/113431
dc.language.isoeng
dc.relation.ispartofTopics: The Washington & Jefferson College Review
dc.relation.ispartofissue56
dc.rightsmetadata only access
dc.titleUtopia and Irony in Ursula Le Guin’s ‘The Ones Who Walk Away from Omelas’ and Rodolfo Martínez’s El abismo te devuelve la mirada
dc.typeJournal article

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