Utopian Music: Music History of the Future in Novels by Bellamy, Callenbach and Huxley

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dc.contributor.authorGoldbach, Karl Traugott
dc.contributor.editorVieira, Fátima
dc.contributor.editorFreitas, Marinella
dc.coverage.spatialPorto, Portugal
dc.date.accessioned2024-02-03T16:17:12Z
dc.date.available2024-02-03T16:17:12Z
dc.date.issued2005
dc.descriptionBrief Discussions of the three authors stressing that in Bellamy, although everyone sings and some play instruments for their own entertainment, “radio” has made professional musicians readily available and there are few amateur groups, in Callenbach amateurism is encouraged, and in Huxley music is part of social control.
dc.format.extent237-43
dc.identifier.citationGoldbach, Karl Traugott. “Utopian Music: Music History of the Future in Novels by Bellamy, Callenbach and Huxley.” Utopia Matters: Theory, Politics, Literature and the Arts. Ed. Fátima Vieira and Marinella Freitas (Porto, Portugal: Editora da Universidade do Porto, 2005), 237-43. Brief Discussions of the three authors stressing that in Bellamy, although everyone sings and some play instruments for their own entertainment, “radio” has made professional musicians readily available and there are few amateur groups, in Callenbach amateurism is encouraged, and in Huxley music is part of social control.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/101789
dc.language.isoeng
dc.publisherEditora da Universidade do Porto
dc.rightsmetadata only access
dc.titleUtopian Music: Music History of the Future in Novels by Bellamy, Callenbach and Huxley
dc.typeBook chapter

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