A la recherche d’une sonorité utopique: Sound Representations of Utopia in the Works of Russian Musicians in the First Three Decades of the 20th Century

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dc.contributor.authorPetrushanskaya-Averbakh, Elena
dc.contributor.editorAyers, David
dc.contributor.editorBenedikt, Hjartarson
dc.contributor.otherImposti, Gabriella
dc.contributor.otherBarnard, Jeremy
dc.coverage.spatialBerlin
dc.date.accessioned2024-02-03T16:03:22Z
dc.date.available2024-02-03T16:03:22Z
dc.date.issued2015
dc.format.extent215-28
dc.identifier.citationPetrushanskaya-Averbakh, Elena. “A la recherche d’une sonorité utopique: Sound Representations of Utopia in the Works of Russian Musicians in the First Three Decades of the 20th Century.” Trans. Gabriella Imposti and Jeremy Barnard. Utopia The Avant-Garde, Modernism and (Im)possible Life. Ed. David Ayers, Benedikt Hjartarson, Tomi Huttunen, and Harri Veivo with the editorial assistance of Porsteinn Surmeli (Berlin: De Gruyter, 2015), 215-28
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/94065
dc.language.isoeng
dc.publisherDe Gruyter
dc.relation.isaboutUtopia The Avant-Garde, Modernism and (Im)possible Life
dc.rightsmetadata only access
dc.subjectUtopian sounds
dc.subjectRussia
dc.subjectRussian music
dc.titleA la recherche d’une sonorité utopique: Sound Representations of Utopia in the Works of Russian Musicians in the First Three Decades of the 20th Century
dc.typeBook chapter

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