‘How Does It Not Know What It Is?’ The Techno-Orientalized Body in Ridley Scott’s Blade Runner and Larissa Lai’s Automation Biographies

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dc.contributor.authorPrater, Tzarina
dc.contributor.authorFung, Catherine
dc.contributor.editorRoh, David
dc.contributor.editorHuang, Betsy
dc.contributor.editorNiu, Greta
dc.coverage.spatialNew Brunswick, NJ
dc.date.accessioned2024-02-03T16:26:33Z
dc.date.available2024-02-03T16:26:33Z
dc.date.issued2015
dc.format.extent193-208
dc.identifier.citationPrater, Tzarina T. and Catherine Fung. “‘How Does It Not Know What It Is?’ The Techno-Orientalized Body in Ridley Scott’s Blade Runner and Larissa Lai’s Automation Biographies.” Techno-Orientalism: Imagining Asia in Speculative Fiction, History and Media. Ed. David S. Roh, Betsy Huang, and Greta A. Niu (New Brunswick, NJ: Rutgers University Press, 2015), 193-208.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/107375
dc.language.isoeng
dc.publisherRutgers University Press
dc.relation.isaboutA ‘Schützenkönig’ for Kuhschnappel: Social Reality and Wish Projection in Jean Paul’s ‘Siebenkäs’
dc.rightsmetadata only access
dc.title‘How Does It Not Know What It Is?’ The Techno-Orientalized Body in Ridley Scott’s Blade Runner and Larissa Lai’s Automation Biographies
dc.typeBook chapter

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