Abstracting the Nation in Kee Thuian Chye’s 1984 Here and Now and The Big Purge: National Allegory or Modernist Theatre?

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dc.contributor.authorLim, Shirley Geok-lin
dc.date.accessioned2024-02-03T16:08:22Z
dc.date.available2024-02-03T16:08:22Z
dc.date.issued1998-Winter
dc.format.extent119-42
dc.identifier.citationLim, Shirley Geok-lin. “Abstracting the Nation in Kee Thuian Chye’s 1984 Here and Now and The Big Purge: National Allegory or Modernist Theatre?” Tamkang Review 29.2 (Winter 1998): 119-42.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/96634
dc.language.isoeng
dc.relation.ispartofTamkang Review
dc.relation.ispartofissue2
dc.relation.ispartofvolume29
dc.rightsmetadata only access
dc.titleAbstracting the Nation in Kee Thuian Chye’s 1984 Here and Now and The Big Purge: National Allegory or Modernist Theatre?
dc.typeJournal article

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