Exploring Color Coding at the Beginning and End of the Twentieth Century in Ursula K. Le Guin’s The Left Hand of Darkness and Joseph Conrad’s Heart of Darkness

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dc.contributor.authorGant-Britton, Lisbeth
dc.contributor.editorLeonard, Elisabeth Anne
dc.coverage.spatialWestport, CT
dc.date.accessioned2024-02-03T16:08:55Z
dc.date.available2024-02-03T16:08:55Z
dc.date.issued1997
dc.format.extent35-55
dc.identifier.citationGant-Britton, Lisbeth. “Exploring Color Coding at the Beginning and End of the Twentieth Century in Ursula K. Le Guin’s The Left Hand of Darkness and Joseph Conrad’s Heart of Darkness.” Into Darkness Peering: Race and Color in the Fantastic. Ed. Elisabeth Anne Leonard (Westport, CT: Greenwood Press, 1997), 35-55.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/96965
dc.language.isoeng
dc.publisherGreenwood Press
dc.relation.isaboutSocialisme utopique et architecture au XIXe siècle
dc.rightsmetadata only access
dc.titleExploring Color Coding at the Beginning and End of the Twentieth Century in Ursula K. Le Guin’s The Left Hand of Darkness and Joseph Conrad’s Heart of Darkness
dc.typeBook chapter

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