Feminism, Technology, and Art in C.L. Moore’s ‘No Woman Born’

Simple item page
dc.contributor.authorWymer, Thomas
dc.date.accessioned2024-02-03T16:09:47Z
dc.date.available2024-02-03T16:09:47Z
dc.date.issued2006-Spring
dc.format.extent51-65
dc.identifier.citationWymer, Thomas L. “Feminism, Technology, and Art in C.L. Moore’s ‘No Woman Born’.” Extrapolation 47.1 (Spring 2006): 51-65.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/97436
dc.language.isoeng
dc.relation.ispartofExtrapolation
dc.relation.ispartofissue1
dc.relation.ispartofvolume47
dc.rightsmetadata only access
dc.titleFeminism, Technology, and Art in C.L. Moore’s ‘No Woman Born’
dc.typeJournal article

Files

Collections

Lyman Tower Sargent Bibliography