William Morris, Print Culture, and the Politics of Aestheticism

dc.contributor.authorMiller, Elizabeth Carolyn
dc.date.accessioned2024-02-03T16:32:25Z
dc.date.available2024-02-03T16:32:25Z
dc.date.issued2008-09
dc.descriptionRpt. as “No News Is Good News: William Morris’s Utopian Print.” In her Slow Print: Literary Radicalism and Late Victorian Print Culture (Stanford, CA: Stanford University Press, 2013), 32-81, 312-18. Compares Morris’s serialized and book forms.
dc.format.extent477-502
dc.identifier.citationMiller, Elizabeth Carolyn. “William Morris, Print Culture, and the Politics of Aestheticism.” Modernism/Modernity 15.3 (September 2008): 477-502. Rpt. as “No News Is Good News: William Morris’s Utopian Print.” In her Slow Print: Literary Radicalism and Late Victorian Print Culture (Stanford, CA: Stanford University Press, 2013), 32-81, 312-18. Compares Morris’s serialized and book forms.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/111163
dc.language.isoeng
dc.relation.ispartofModernism/Modernity
dc.relation.ispartofissue3
dc.relation.ispartofvolume15
dc.rightsmetadata only access
dc.titleWilliam Morris, Print Culture, and the Politics of Aestheticism
dc.typeJournal article

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