Iconicity in Conceptual Blending: Material Anchors in William Morris’s News from Nowhere
dc.contributor.author | Wilson, David Glyn | |
dc.contributor.editor | Michelucci, Pascal | |
dc.contributor.editor | Fischer, Olga | |
dc.contributor.editor | Ljungberg, Christina | |
dc.coverage.spatial | Amsterdam, The Netherlands | |
dc.date.accessioned | 2024-02-03T16:27:10Z | |
dc.date.available | 2024-02-03T16:27:10Z | |
dc.date.issued | 2011 | |
dc.format.extent | 269-88 | |
dc.identifier.citation | Wilson, David Glyn. “Iconicity in Conceptual Blending: Material Anchors in William Morris’s News from Nowhere.” Semblance and Signification. Ed. Pascal Michelucci, Olga Fischer, and Christina Ljungberg (Amsterdam, The Netherlands: John Benjamins Publishing Co., 2011), 269-88. MH | |
dc.identifier.uri | https://cetapsrepository.letras.up.pt/id/cetaps/107748 | |
dc.language.iso | eng | |
dc.publisher | John Benjamins Publishing Co | |
dc.relation.isabout | Utopian Horizons: Ideology, Politics, Literature | |
dc.rights | metadata only access | |
dc.title | Iconicity in Conceptual Blending: Material Anchors in William Morris’s News from Nowhere | |
dc.type | Book chapter |