‘Dancing of the Edge of the World’: California and Utopia in Ursula K. Le Guin’s Always Coming Home

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dc.contributor.authorSimpson, Ken
dc.contributor.editorEaston, Lee
dc.contributor.editorSchroeder, Randy
dc.coverage.spatialJefferson, NC
dc.date.accessioned2024-02-03T16:14:24Z
dc.date.available2024-02-03T16:14:24Z
dc.date.issued2008
dc.format.extent55-69
dc.identifier.citationSimpson, Ken. “‘Dancing of the Edge of the World’: California and Utopia in Ursula K. Le Guin’s Always Coming Home.” The Influence of Imagination: Essays on Science Fiction and Fantasy as Agents of Social Change. Ed. Lee Easton and Randy Schroeder (Jefferson, NC: McFarland, 2008), 55-69.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/100198
dc.language.isoeng
dc.publisherMcFarland
dc.relation.isabout“To Hell With Culture”: Anarchism and Twentieth-Century British Literature
dc.rightsmetadata only access
dc.title‘Dancing of the Edge of the World’: California and Utopia in Ursula K. Le Guin’s Always Coming Home
dc.typeBook chapter

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