Performance, Performativity, and Identity in Margaret Cavendish's ‘The Convent of Pleasure’

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dc.contributor.authorKellett, Katherine R.
dc.date.accessioned2025-06-29T15:26:05Z
dc.date.available2025-06-29T15:26:05Z
dc.date.issued2008
dc.format.extent419-442
dc.identifier.citationKellett, Katherine R. “Performance, Performativity, and Identity in Margaret Cavendish's ‘The Convent of Pleasure’.” Studies in English literature, 1500-1900 48.2 (Spring 2008): 419-442.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/132388
dc.language.isoeng
dc.relation.ispartofStudies in English Literature
dc.relation.ispartofissue2
dc.relation.ispartofvolume48
dc.rightsmetadata only access
dc.titlePerformance, Performativity, and Identity in Margaret Cavendish's ‘The Convent of Pleasure’
dc.typeJournal article

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