The Two-. . ., One-. . ., None-Sex Model: The Flesh(-)Made Machine in Herman Melville’s ‘The Paradise of Bachelors and the Tartarus Maids’ and J.G. Ballard’s Crash

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dc.contributor.authorKutzbach, Konstanze
dc.contributor.editorKutzbach, Konstanze
dc.contributor.editorMueller, Monika
dc.date.accessioned2024-02-03T16:31:48Z
dc.date.available2024-02-03T16:31:48Z
dc.date.issued2007
dc.format.extent181-96
dc.identifier.citationKutzbach, Konstanze. “The Two-. . ., One-. . ., None-Sex Model: The Flesh(-)Made Machine in Herman Melville’s ‘The Paradise of Bachelors and the Tartarus Maids’ and J.G. Ballard’s Crash.” The Abject of Desire: The Aestheticization of the Unaesthetic in Contemporary Literature and Culture. Ed. Konstanze Kutzbach and Monika Mueller (Amsterdam, The Netherlands: Rodopi, 2007), 181-96.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/110777
dc.language.isoeng
dc.rightsmetadata only access
dc.titleThe Two-. . ., One-. . ., None-Sex Model: The Flesh(-)Made Machine in Herman Melville’s ‘The Paradise of Bachelors and the Tartarus Maids’ and J.G. Ballard’s Crash
dc.typeBook chapter

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