Beethoven’s Two-Movement Piano Sonatas and the Utopia of Romantic Esthetics

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dc.contributor.authorKramer, Lawrence
dc.coverage.spatialBerkeley
dc.date.accessioned2024-02-03T16:29:10Z
dc.date.available2024-02-03T16:29:10Z
dc.date.issued1990
dc.descriptionShorter version originally published as “Expressive Doubling: Beethoven’s Two-Movement Piano Sonatas and Romantic Literature.” Studies in Romanticism 27.2 (Summer 1988): 175-201
dc.format.extent21-71
dc.identifier.citationKramer, Lawrence. “Beethoven’s Two-Movement Piano Sonatas and the Utopia of Romantic Esthetics.” In his Music as Cultural Practice, 1800-1900 (Berkeley: University of California Press, 1990): 21-71. Shorter version originally published as “Expressive Doubling: Beethoven’s Two-Movement Piano Sonatas and Romantic Literature.” Studies in Romanticism 27.2 (Summer 1988): 175-201.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/109043
dc.language.isoeng
dc.publisherUniversity of California Press
dc.relation.isaboutFrench Essays on Shakespeare and His Contemporaries: “What would France with Us?”
dc.rightsmetadata only access
dc.titleBeethoven’s Two-Movement Piano Sonatas and the Utopia of Romantic Esthetics
dc.typeBook chapter

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