Under the Westway and Up in the Air: New Brutalist Aftermath Aesthetics in J.G. Ballard’s Concrete Island (1974) and High-Rise (1975)

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dc.contributor.authorMurray, Joanne
dc.contributor.editorMonica Germanà
dc.contributor.editorMousoutzanis, Aris
dc.coverage.spatialNew York
dc.date.accessioned2024-02-03T16:31:10Z
dc.date.available2024-02-03T16:31:10Z
dc.date.issued2014
dc.format.extent88-103
dc.identifier.citationMurray, Joanne. “Under the Westway and Up in the Air: New Brutalist Aftermath Aesthetics in J.G. Ballard’s Concrete Island (1974) and High-Rise (1975).” Apocalyptic Discourse in Contemporary Culture: Post-Millennial Perspectives of the End of the World. Ed. Monica Germanà and Aris Mousoutzanis (New York: Routledge, 2014), 88-103.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/110345
dc.language.isoeng
dc.publisherRoutledge
dc.rightsmetadata only access
dc.titleUnder the Westway and Up in the Air: New Brutalist Aftermath Aesthetics in J.G. Ballard’s Concrete Island (1974) and High-Rise (1975)
dc.typeBook chapter

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