Escaping the Panopticon: Utopia, Hegemony, and Performance in Peter Weir’s The Truman Show

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dc.contributor.authorLavoie, Dusty
dc.date.accessioned2024-02-03T16:19:53Z
dc.date.available2024-02-03T16:19:53Z
dc.date.issued2011
dc.format.extent52-73
dc.identifier.citationLavoie, Dusty. “Escaping the Panopticon: Utopia, Hegemony, and Performance in Peter Weir’s The Truman Show.” Utopian Studies 22.1 (2011): 52-73.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/103039
dc.language.isoeng
dc.relation.ispartofUtopian Studies
dc.relation.ispartofissue1
dc.relation.ispartofvolume22
dc.rightsmetadata only access
dc.titleEscaping the Panopticon: Utopia, Hegemony, and Performance in Peter Weir’s The Truman Show
dc.typeJournal article

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