Cog-Work: The Organization of Labor in Edward Bellamy’s Looking Backward and in Later Utopian Fiction

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dc.contributor.authorJehmlich, Reimer
dc.contributor.editorEhrlich, Richard
dc.contributor.editorDunn, Thomas
dc.coverage.spatialWestport, CT
dc.date.accessioned2024-02-03T16:17:01Z
dc.date.available2024-02-03T16:17:01Z
dc.date.issued1983
dc.descriptionBellamy, Morris, Skinner, Efremov’s Andromeda (1954), and Huxley’s Island
dc.format.extent27-46
dc.identifier.citationJehmlich, Reimer. “Cog-Work: The Organization of Labor in Edward Bellamy’s Looking Backward and in Later Utopian Fiction.” Clockwork Worlds: Mechanized Environments in SF. Ed. Richard D. Ehrlich and Thomas P. Dunn (Westport, CT: Greenwood Press, 1983), 27-46. Bellamy, Morris, Skinner, Efremov’s Andromeda (1954), and Huxley’s Island
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/101680
dc.language.isoeng
dc.publisherGreenwood Press
dc.relation.isaboutInPortraits of the Artist in A Clockwork Orange: Papers and Music from the Anthony Burgess Centre’s International Symposium ‘The Avatars of A Clockwork Orange’ December 7-8, 2001.
dc.rightsmetadata only access
dc.titleCog-Work: The Organization of Labor in Edward Bellamy’s Looking Backward and in Later Utopian Fiction
dc.typeBook chapter

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