Cinematic Ideologies and Societal Dystopias: Filmmaking in the United States, Japan, Germany, and the Soviet Union, 1900-1996.

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dc.contributor.authorLyman, Stanford
dc.coverage.spatialFayetteville
dc.date.accessioned2024-02-03T16:15:15Z
dc.date.available2024-02-03T16:15:15Z
dc.date.issued2001
dc.format.extent221-51
dc.identifier.citationLyman, Stanford M. “Cinematic Ideologies and Societal Dystopias: Filmmaking in the United States, Japan, Germany, and the Soviet Union, 1900-1996.” In his Roads to Dystopia: Sociological Essays on the Postmodern Condition (Fayetteville: University of Arkansas Press, 2001), 221-51
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/100652
dc.language.isoeng
dc.publisherUniversity of Arkansas Press
dc.relation.isaboutIn Dreams Awake; A Historical-Critical Anthology of Science Fiction
dc.rightsmetadata only access
dc.titleCinematic Ideologies and Societal Dystopias: Filmmaking in the United States, Japan, Germany, and the Soviet Union, 1900-1996.
dc.typeBook chapter

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