Cinematic Ideologies and Societal Dystopias: Filmmaking in the United States, Japan, Germany, and the Soviet Union, 1900-1996.
dc.contributor.author | Lyman, Stanford | |
dc.coverage.spatial | Fayetteville | |
dc.date.accessioned | 2024-02-03T16:15:15Z | |
dc.date.available | 2024-02-03T16:15:15Z | |
dc.date.issued | 2001 | |
dc.format.extent | 221-51 | |
dc.identifier.citation | Lyman, Stanford M. “Cinematic Ideologies and Societal Dystopias: Filmmaking in the United States, Japan, Germany, and the Soviet Union, 1900-1996.” In his Roads to Dystopia: Sociological Essays on the Postmodern Condition (Fayetteville: University of Arkansas Press, 2001), 221-51 | |
dc.identifier.uri | https://cetapsrepository.letras.up.pt/id/cetaps/100652 | |
dc.language.iso | eng | |
dc.publisher | University of Arkansas Press | |
dc.relation.isabout | In Dreams Awake; A Historical-Critical Anthology of Science Fiction | |
dc.rights | metadata only access | |
dc.title | Cinematic Ideologies and Societal Dystopias: Filmmaking in the United States, Japan, Germany, and the Soviet Union, 1900-1996. | |
dc.type | Book chapter |