Friction, Collision, and the Grotesque: The Dystopic Fragments of Bombay Cinema

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dc.contributor.authorMazumdar, Ranjani
dc.contributor.editorPrakash, Gyan
dc.coverage.spatialPrinceton, NJ
dc.date.accessioned2024-02-03T16:25:19Z
dc.date.available2024-02-03T16:25:19Z
dc.date.issued2010
dc.format.extent150-84
dc.identifier.citationMazumdar, Ranjani. “Friction, Collision, and the Grotesque: The Dystopic Fragments of Bombay Cinema.” Noir Urbanisms: Dystopic Images of the Modern City. Ed. Gyan Prakash (Princeton, NJ: Princeton University Press, 2010), 150-84.
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/106558
dc.language.isoeng
dc.publisherPrinceton University Press
dc.relation.isaboutThe Heritage of Heinlein: A Critical Reading of the Fiction
dc.rightsmetadata only access
dc.titleFriction, Collision, and the Grotesque: The Dystopic Fragments of Bombay Cinema
dc.typeBook chapter

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