Patterns of Posthuman Numbness in Shirley & Gibson’s ‘The Belonging Kind’ and Eggers’s The Circle.
| dc.contributor.author | Collado-Rodríguez, Francisco | |
| dc.contributor.editor | Baelo-Allué, Sonia | |
| dc.contributor.editor | Calvo-Pascuel, Monica | |
| dc.coverage.spatial | New York | |
| dc.date.accessioned | 2026-04-20T16:23:05Z | |
| dc.date.available | 2026-04-20T16:23:05Z | |
| dc.date.issued | 2021 | |
| dc.format.extent | 85-99 | |
| dc.identifier.citation | Collado-Rodríguez, Francisco. “Patterns of Posthuman Numbness in Shirley & Gibson’s ‘The Belonging Kind’ and Eggers’s The Circle.” Transhumanism and Posthumanism in the Twenty-First Century. Ed. Sonia Baelo-Allué and Monica Calvo-Pascuel (New York: Routledge, 2021), 85-99. | |
| dc.identifier.uri | https://cetapsrepository.letras.up.pt/id/cetaps/135140 | |
| dc.language.iso | eng | |
| dc.publisher | Routledge | |
| dc.relation.ispartof | Transhumanism and Posthumanism in the Twenty-First Century | |
| dc.title | Patterns of Posthuman Numbness in Shirley & Gibson’s ‘The Belonging Kind’ and Eggers’s The Circle. | |
| dc.type | Book chapter |