Epic Reversal in Mary Shelley’s The Last Man: Romantic Irony and the Roots of Science Fiction

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dc.contributor.authorLomax, William
dc.contributor.editorLangford, Michele
dc.coverage.spatialWestport, CT
dc.date.accessioned2024-02-03T16:11:51Z
dc.date.available2024-02-03T16:11:51Z
dc.date.issued1990
dc.format.extent7-17
dc.identifier.citationLomax, William. “Epic Reversal in Mary Shelley’s The Last Man: Romantic Irony and the Roots of Science Fiction.” Contours of the Fantastic: Selected Essays from the Eighth International Conference on the Fantastic in the Arts. Ed. Michele K. Langford (Westport, CT: Greenwood, 1990), 7-17
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/98683
dc.language.isoeng
dc.publisherGreenwood
dc.relation.isaboutS. F. et surréalisme. No. 18 of Métaphores
dc.rightsmetadata only access
dc.titleEpic Reversal in Mary Shelley’s The Last Man: Romantic Irony and the Roots of Science Fiction
dc.typeBook chapter

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