2001: A Space Odyssey - An introduction by Teresa Pereira

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dc.contributor.authorPereira, Teresa Raquel Nunes
dc.date.accessioned2026-05-18T09:56:34Z
dc.date.available2026-05-18T09:56:34Z
dc.date.issued2026-04-29
dc.descriptionAs Annette Michelson says in the essay “Bodies in Space: Films as ‘Carnal Knowledge’ ”, first published in 1969 in Artforum, 2001: A Space Odyssey (hereafter referred to as 2001), released in 1968, demands “a kind of critical, apperceptive athleticism” in the act of interpretation (qtd. in Kolker 8). In a similar vein, Robert Kolker, editor of the collection Stanley Kubrick’s 2001: A Space Odyssey. New Essays (2006), states that the films produced by Stanley Kubrick (1928-1999) are both “intellectually rigorous and demanding” (8), the product of a “creative, artistic imagination” (
dc.identifier.urihttps://cetapsrepository.letras.up.pt/id/cetaps/135244
dc.language.isoen
dc.rightshttp://purl.org/coar/access_right/c_abf2
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.subjectCinema cycle
dc.title2001: A Space Odyssey - An introduction by Teresa Pereira
dspace.entity.typePublication
oaire.citation.conferenceDate2026-04-26
oaire.citation.conferencePlaceCinema Cycle “Time Capsule: Futures Gone By”
person.affiliation.nameCETAPS - Lisbon
person.familyNamePereira
person.givenNameTeresa Raquel Nunes
person.identifier.ciencia-id4E1A-F585-C16E
person.identifier.orcid0000-0003-2035-1775
relation.isAuthorOfPublication5305c843-2066-49d2-b72d-2d308f8933a2
relation.isAuthorOfPublication.latestForDiscovery5305c843-2066-49d2-b72d-2d308f8933a2

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